Drama |
From inside the book
Results 1-3 of 54
Page 16
... better pulled together than the Court Theatre company succeeds in doing . Their performance , however , aims at something better , but it is dreadfully out of gear . Very little imagination has been spent on the pro- duction . Mr. Fagan ...
... better pulled together than the Court Theatre company succeeds in doing . Their performance , however , aims at something better , but it is dreadfully out of gear . Very little imagination has been spent on the pro- duction . Mr. Fagan ...
Page 77
... better and better every day in every way " . The sense of the momentous and irrevocable is too weak just now for Ibsen to be understood , who in his own fashion was as possessed by it as Robert Browning , Carlyle , or any revivalist ...
... better and better every day in every way " . The sense of the momentous and irrevocable is too weak just now for Ibsen to be understood , who in his own fashion was as possessed by it as Robert Browning , Carlyle , or any revivalist ...
Page 220
... get anything out of it ; if you are going to wonder what became of Marion Yates and her baby , instead of keeping your attention on the theme , you had better not go . THE THE SILVER CORD HE SILVER CORD is worth seeing 220 DRAMA.
... get anything out of it ; if you are going to wonder what became of Marion Yates and her baby , instead of keeping your attention on the theme , you had better not go . THE THE SILVER CORD HE SILVER CORD is worth seeing 220 DRAMA.
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
22 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth