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Page 5
... beauty of whatever picture or idea the words happened to call up . Such psychological facts are not unrelated to the art of the theatre . They suggest the limits of the art of interpreting poetry with dress and scenery on the stage ...
... beauty of whatever picture or idea the words happened to call up . Such psychological facts are not unrelated to the art of the theatre . They suggest the limits of the art of interpreting poetry with dress and scenery on the stage ...
Page 7
... beauty consonant with the spirit of the play performed . All producers are agreed that it should be beau- tiful ; where they differ is in what they consider to be consonant beauty . Sir Herbert Tree considers any picture which may be ...
... beauty consonant with the spirit of the play performed . All producers are agreed that it should be beau- tiful ; where they differ is in what they consider to be consonant beauty . Sir Herbert Tree considers any picture which may be ...
Page 146
... beauty on beauty and aims only at beauty he is apt to make us feel a little squeamish . The reader who is treated like an organ with stops which are being pulled out can only then admire the skill with which it may be done , not the ...
... beauty on beauty and aims only at beauty he is apt to make us feel a little squeamish . The reader who is treated like an organ with stops which are being pulled out can only then admire the skill with which it may be done , not the ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth