Drama |
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Page 74
... acting left much to be desired , there were excellent points about M. Kom- isarjevsky's production , and Mr. Franklin Dyall's Borkman was , in the quiet passages , extremely good . The actors were not up to the tragic intensity of their ...
... acting left much to be desired , there were excellent points about M. Kom- isarjevsky's production , and Mr. Franklin Dyall's Borkman was , in the quiet passages , extremely good . The actors were not up to the tragic intensity of their ...
Page 162
... actors and actresses in their everyday clothes walked on . The humorously- strident voice of Mr. Alfred Clark was heard giving directions for a rehearsal , and the lights were turned up . A slightly quarrelsome , snappy chatter fol ...
... actors and actresses in their everyday clothes walked on . The humorously- strident voice of Mr. Alfred Clark was heard giving directions for a rehearsal , and the lights were turned up . A slightly quarrelsome , snappy chatter fol ...
Page 350
... actors had made of it ( I am not going to criticize the acting , to praise this stroke of acting , or regret the failure of that ) , and I 350 DRAMA.
... actors had made of it ( I am not going to criticize the acting , to praise this stroke of acting , or regret the failure of that ) , and I 350 DRAMA.
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth