Drama |
From inside the book
Results 1-3 of 6
Page ix
... SARAH BERNHARDT , March 31st , 1923 . ELEANORA DUSE , June 16th , 1923 358 362 364 368 DUSE AND BERNHARDT , April 26th , 1924 CHALIAPINE , October 15th , 1927 . 372 376 THE PRODUCTION OF POETIC DRAMA EFORE criticizing the performance at ...
... SARAH BERNHARDT , March 31st , 1923 . ELEANORA DUSE , June 16th , 1923 358 362 364 368 DUSE AND BERNHARDT , April 26th , 1924 CHALIAPINE , October 15th , 1927 . 372 376 THE PRODUCTION OF POETIC DRAMA EFORE criticizing the performance at ...
Page 363
... contrast so effectively and masterfully with the passionate flutterings of Miss Irene Vanbrugh . His success proves that care for perfection is appreciated . SARAH BERNHARDT HE BEST criticism of Sarah Bernhardt , and 363 SIR JOHN HARE.
... contrast so effectively and masterfully with the passionate flutterings of Miss Irene Vanbrugh . His success proves that care for perfection is appreciated . SARAH BERNHARDT HE BEST criticism of Sarah Bernhardt , and 363 SIR JOHN HARE.
Page 365
... just as anyone speaks when interrupted by a bore ; in the second ' des mots ' his answer seemed to catch his own attention , and the third ' des mots ' was accompanied by a look , and changed into an intense 365 SARAH BERNHARDT.
... just as anyone speaks when interrupted by a bore ; in the second ' des mots ' his answer seemed to catch his own attention , and the third ' des mots ' was accompanied by a look , and changed into an intense 365 SARAH BERNHARDT.
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
22 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth