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Page 94
... Miss Stella Arbenina as Nastasia , in Act III , Scene I. In Act II she failed to give the impression of wild misery simulating hardness and gaiety . On her entrance , we could not gather what her mood was or what sort of a woman she was ...
... Miss Stella Arbenina as Nastasia , in Act III , Scene I. In Act II she failed to give the impression of wild misery simulating hardness and gaiety . On her entrance , we could not gather what her mood was or what sort of a woman she was ...
Page 106
... Miss Gillian Scaife , as Sister Gracia , and Miss Kathleen O'Regan , who takes a small but most important part in Act II ( Margarita ) , are very good indeed . Miss Scaife I have always admired . I remember her parts ; I remember her in ...
... Miss Gillian Scaife , as Sister Gracia , and Miss Kathleen O'Regan , who takes a small but most important part in Act II ( Margarita ) , are very good indeed . Miss Scaife I have always admired . I remember her parts ; I remember her in ...
Page 242
... ( Miss Olive Groves and Miss Stella Seager ) and Mr. Jessamy , the fop ( Mr. Rupert Bruce ) , you are indeed hard to please . The dialogue is conventional and neat — a pleasure to listen to . It is all friendly and easy , all made to ...
... ( Miss Olive Groves and Miss Stella Seager ) and Mr. Jessamy , the fop ( Mr. Rupert Bruce ) , you are indeed hard to please . The dialogue is conventional and neat — a pleasure to listen to . It is all friendly and easy , all made to ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth