Characteristics of English Poets, from Chaucer to Shirley |
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Page x
... DRAMATISTS BEFORE 1. Lyly , II . Marlowe , III . Greene , IV . Peele , v . Nash , VI . Kyd , VII . Munday , VIII . Chettle , SHAKESPEARE . CHAPTER VII . - WILLIAM SHAKESPEARE . 163 168 171 185 191 195 197 203 205 210 228 230 240 246 250 ...
... DRAMATISTS BEFORE 1. Lyly , II . Marlowe , III . Greene , IV . Peele , v . Nash , VI . Kyd , VII . Munday , VIII . Chettle , SHAKESPEARE . CHAPTER VII . - WILLIAM SHAKESPEARE . 163 168 171 185 191 195 197 203 205 210 228 230 240 246 250 ...
Page 13
... dramatist's creations , that his intention not unfrequently becomes a subject of dispute - the situation within the compass of a play rarely being sufficiently varied to make the exhibition of character unequivocal . Unless , indeed ...
... dramatist's creations , that his intention not unfrequently becomes a subject of dispute - the situation within the compass of a play rarely being sufficiently varied to make the exhibition of character unequivocal . Unless , indeed ...
Page 113
... dramatist ; and that no great English drama , with the exception , perhaps , of Macbeth , was based upon the incidents commemorated in these ballads . H 114 CHAPTER III . RENAISSANCE AND TRANSITION . MOST of NORTH - COUNTRY BALLAD ...
... dramatist ; and that no great English drama , with the exception , perhaps , of Macbeth , was based upon the incidents commemorated in these ballads . H 114 CHAPTER III . RENAISSANCE AND TRANSITION . MOST of NORTH - COUNTRY BALLAD ...
Page 149
... were free to engage in battle , murder , and violent struggle : and thus it was possible for English dramatists to bring the action on the stage . Apart , there- fore , from the debated question of good or bad THOMAS SACKVILLE . 149.
... were free to engage in battle , murder , and violent struggle : and thus it was possible for English dramatists to bring the action on the stage . Apart , there- fore , from the debated question of good or bad THOMAS SACKVILLE . 149.
Page 150
... dramatist , whereas it was possible for the English dramatist . Now Sackville , in our first English tragedy , did not fully avail himself of the possibilities of the modern stage . The war between Porrex and Ferrex , the murder of ...
... dramatist , whereas it was possible for the English dramatist . Now Sackville , in our first English tragedy , did not fully avail himself of the possibilities of the modern stage . The war between Porrex and Ferrex , the murder of ...
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Common terms and phrases
admiration beauty blank verse Canterbury Canterbury Tales character Chaucer colour comedy Coriolanus Court Crown 8vo death delight doth drama dramatist Elizabethan English expression eyes Faery Faery Queen fair fancy favour Fcap feeling flowers French genius Gorboduc Greene Hamlet hath heart heaven Henry Hero and Leander heroes honour humour Illustrations imagination imitation Italian John Jonson King Knight's Tale lady language less living look Lord lovers Marlowe mind Mirror for Magistrates moral nature never night passages passion personages Phaeton's plays poem poet poet's poetical poetry post 8vo Prince probably Queen reader revenge rhymes Richard Richard II romance satire scene Scotland seems Shakespeare Shakespeare's sonnets shepherds song sonnets soul Spenser spirit stage stanza Stratford supposed Surrey Surrey's sweet tale Tamburlaine thee things thou tion Tottel's Miscellany tragedy tragic translation Trouvères verse vols words write written wrote Wyat youth
Popular passages
Page 210 - Coral is far more red than her lips' red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound...
Page 212 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Page 278 - Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; Whiles night's black agents to their preys do rouse.
Page 308 - Haste me to know't, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge.
Page 289 - Ham. Sir, in my heart there was a kind of fighting, That would not let me sleep : methought I lay Worse than the mutines in the bilboes.
Page 13 - Is. 6d. A Manual of Palaeontology, for the Use of Students. With a General Introduction on the Principles of Palaeontology.
Page 278 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...
Page 115 - European expansion at the end of the fifteenth century and the beginning of the sixteenth.
Page 214 - The warrant I have of your honourable disposition, not the worth of my untutor'd lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours.
Page 7 - Memoir of Sir William Hamilton, Bart., Professor of Logic and Metaphysics in the University of Edinburgh. By Professor VEITCH of the University of Glasgow. 8vo, with Portrait, 18s.