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CHAPTER VI

THE PARISH REGISTER

(1805-1809)

"WHEN in October 1805, Mr. Crabbe resumed the charge of his own parish of Muston, he found some changes to vex him, and not the less because he had too much reason to suspect that his long absence from his incumbency had been, partly at least, the cause of them. His cure had been served by respectable and diligent clergymen, but they had been often changed, and some of them had never resided within the parish; and he felt that the binding influence of a settled and permanent minister had not been withdrawn for twelve years with impunity. A Wesleyan missionary had formed a thriving establishment in Muston, and the congregations at the parish church were no longer such as they had been of old. This much annoyed my father; and the warmth with which he began to preach against dissent only irritated himself and others, without bringing back disciples to the fold."

So writes Crabbe's son with his wonted frankness and good judgment. Moreover, besides the Wesleyan secession, the mischievous extravagances of William Huntington (S.S.) had found their way into the parish. To make matters worse, a former gardener of Crabbe's had set up as a preacher of the doctrines of

this fanatic, who was still attracting crowds in London. Then, too, as another fruit of the rector's long absence, strange stories of his political opinions had become current. Owing, doubtless, to his renewed acquaintance with Dudley North at Glemham, and occasional associations with the Whig leaders at his house, he had exposed himself to the terrible charge that he was a Jacobin!

Altogether Crabbe's clerical position in Leicestershire, during the next nine years, could not have been very comfortable. But he was evidently still, as always, the devout and kindly pastor of his flock, and happily for himself, he was now to receive new and unexpected tributes to his popularity in other fields. His younger son, John, now eighteen years of age, was shortly to go up to Cambridge, and this fresh expense had to be provided for. To this end, a volume of poems, partly old and partly new, had been for some time in preparation, and in September 1807, it appeared from the publishing house of John Hatchard in Piccadilly. In it were included The Library, The Newspaper, and The Village. The principal new poem was The Parish Register, to which were added Sir Eustace Grey and The Hall of Justice. The volume was prefaced by a Dedication to Henry Richard Fox, third Lord Holland, nephew and sometime ward of Charles James Fox, and the reason for such dedication is told at greater length in the long autobiographical introduction that follows.

Twenty-two years had elasped since Crabbe's last appearance as an author, and he seems to have thought it due to his readers to give some reason for his long abstention from the poet's "idle trade." He pleads a

higher "calling," that of his professional duties, as sufficient excuse. Moreover, he offers the same excuse for his "progress in the art of versification being less marked than his readers might otherwise expect. He then proceeds to tell the story of the kindness he had received from Burke (who had died in 1797); the introduction by him to Sir Joshua Reynolds, and through him again to Samuel Johnson. He gives in full Johnson's note approving The Village, and after a further laborious apology for the shortcomings of his present literary venture, goes on to tell the one really relevant incident of its appearance. Crabbe had determined, he says, now that his old valued advisers had passed away, not to publish anything more

"unless I could first obtain the sanction of such an opinion as I might with some confidence rely upon. I looked for a friend who, having the discerning taste of Mr. Burke and the critical sagacity of Doctor Johnson, would bestow upon my Ms. the attention requisite to form his opinion, and would then favour me with the result of his observations; and it was my singular good fortune to obtain such assistance - the opinion of a critic so qualified, and a friend so disposed to favour me. I had been honoured by an introduction to the Right Hon. Charles James Fox, some years before, at the seat of Mr. Burke; and being again with him, I received a promise that he would peruse any work I might send to him previous to its publication, and would give me his opinion. At that time I did not think myself sufficiently prepared; and when afterwards I had collected some poems for his inspection, I found my right honourable friend engaged by the affairs of a great empire, and struggling with the inveteracy of a fatal disease. At such time, upon such mind, ever disposed to oblige as that mind was, I could not obtrude the petty business of criticising verses; but he remembered the promise he had kindly given, and repeated an offer which

though I had not presumed to expect, I was happy to receive. A copy of the poems, now first published, was sent to him, and (as I have the information from Lord Holland, and his Lordship's permission to inform my readers) the poem which I have named The Parish Register was heard by Mr. Fox, and it excited interest enough by some of its parts to gain for me the benefit of his judgment upon the whole. Whatever he approved, the reader will readily believe, I have carefully retained the parts he disliked are totally expunged, and others are substituted, which I hope resemble those more conformable to the taste of so admirable a judge. Nor can I deny myself the melancholy satisfaction of adding that this poem (and more especially the history of Phoebe Dawson, with some parts of the second book) were the last compositions of their kind that engaged and amused the capacious, the candid, the benevolent mind of this great man."

It was, as we have seen, at Dudley North's residence in Suffolk that Crabbe had renewed his acquaintance with Fox, and received from him fresh offers of criticism and advice. And now the great statesman had passed beyond reach of Crabbe's gratitude. He had died in the autumn of 1806, at the Duke of Devonshire's, at Chiswick. His last months were of great suffering, and the tedium of his latter days was relieved by being read aloud to the Latin poets taking their turn with Crabbe's pathetic stories of humble life. In the same preface, Crabbe further expresses similar obligations to his friend, Richard Turner of Yarmouth. The result of this double criticism is the more discernible when we compare The Parish Register with its successor, The Borough, in the composition of which Crabbe admits, in the preface to that poem, that he had trusted more entirely to his own judgment.

In The Parish Register, Crabbe returns to the theme

which he had treated twenty years before in The Village, but on a larger and more elaborate scale. The scheme is simple and not ineffective. A village clergyman is the narrator, and with his registers of baptisms, marriages, and burials open before him, looks through the various entries for the year just completed. As name after name recalls interesting particulars of character and incident in their history, he relates them as if to an imaginary friend at his side. The precedent of The Deserted Village is still obviously near to the writer's mind, and he is alternately attracted and repelled by Goldsmith's ideals. For instance, the poem opens with an introduction of some length in which the general aspects of village life are described. Crabbe begins by repudiating any idea of such life as had been described by his predecessor:

"Is there a place, save one the poet sees,
A land of love, of liberty, and ease;

Where labour wearies not, nor cares suppress
Th' eternal flow of rustic happiness :
Where no proud mansion frowns in awful state,
Or keeps the sunshine from the cottage-gate;
Where young and old, intent on pleasure, throng,
And half man's life is holiday and song?

Vain search for scenes like these! no view appears,
By sighs unruffled, or unstain'd by tears;

Since vice the world subdued and waters drown'd,
Auburn and Eden can no more be found."

And yet the poet at once proceeds to describe his village in much the same tone, and with much of the same detail as Goldsmith had done:

"Behold the Cot! where thrives th' industrious swain,
Source of his pride, his pleasure, and his gain,

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