Studies in English Literature: Being Typical Selections of British and American Authorship, from Shakespeare to the Present Time, Together with Definitions, Notes, Analyses, and Glossary as an Aid to Systematic Literary Study, for Use in High and Normal Schools, Academies, Seminaries, &c |
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Page iv
... etymological . The Literary Analy- sis is a new feature ( at least I am unacquainted with any class - book of selections in which the kind of work here developed is given ) ; and it is one from which most valu- able results are ...
... etymological . The Literary Analy- sis is a new feature ( at least I am unacquainted with any class - book of selections in which the kind of work here developed is given ) ; and it is one from which most valu- able results are ...
Page 5
... etymology of this word ? ( See Glossary . ) 2. audience . Derivation of ? What is the distinction between audience ( ab- stract ) and an audience ? 2 , 3. Then follow , etc. Cassius , go , etc. grammatically considered ? ( See Def . 54 ...
... etymology of this word ? ( See Glossary . ) 2. audience . Derivation of ? What is the distinction between audience ( ab- stract ) and an audience ? 2 , 3. Then follow , etc. Cassius , go , etc. grammatically considered ? ( See Def . 54 ...
Page 7
... the derivation of " censure " ( 16 ) ; how does its Shakespearian differ from its modern meaning ? Etymology of " rude " ( 29 ) ? Of " extenuate " ( 36 ) ? ] of Rome , I have the same dagger for myself JULIUS CÆSAR . 7.
... the derivation of " censure " ( 16 ) ; how does its Shakespearian differ from its modern meaning ? Etymology of " rude " ( 29 ) ? Of " extenuate " ( 36 ) ? ] of Rome , I have the same dagger for myself JULIUS CÆSAR . 7.
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... etymology of " testament " ( 137 ) ; of " nap- kins " ( 140 ) ; of " legacy " ( 143 ) ; of “ meet ” ( 148 ) . 142–144 . And , dying , . . . issue . What is the figure of speech ? ( See Def . 34. ) 146. we will . What is the force of ...
... etymology of " testament " ( 137 ) ; of " nap- kins " ( 140 ) ; of " legacy " ( 143 ) ; of “ meet ” ( 148 ) . 142–144 . And , dying , . . . issue . What is the figure of speech ? ( See Def . 34. ) 146. we will . What is the force of ...
Page 14
... etymology of " statuë " ( 195 ) ; of “ dint " ( 201 ) . 187. or no . What adverb would now be used ? 190. most unkindest . This is not to be flippantly condemned as a pleonasm ; for , though contrary to modern usage , the doubling of ...
... etymology of " statuë " ( 195 ) ; of “ dint " ( 201 ) . 187. or no . What adverb would now be used ? 190. most unkindest . This is not to be flippantly condemned as a pleonasm ; for , though contrary to modern usage , the doubling of ...
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abbey Addison alliteration Analyze this sentence Anglo-Saxon Antony Aurelian beauty behold Brutus Cæsar called death delight doth Dryden Duke earth Edward the Confessor English Essay etymology Explain expression eyes feelings figure of speech genius give grace Greek hand hath hear heart heaven honorable Hudibras human humor INTRODUCTION.-The Julius Cæsar kind of sentence king L'Allegro language learned LITERARY ANALYSIS living look Lord manner Mark Antony meaning metaphor metaphysical poets Milton mind nature never night noble o'er Observe Odenathus paragraph passage passion phrase Pindaric pleasure pleonasm poem poet poetry Point Pope Portia praise pride rhetorically Roman Saracen scene Second Citizen sense Shakespeare Shylock Sir Roger soul sound speak spirit stanza style Supply the ellipsis sweet tence thee things Third Citizen thou thought tion tomb verb words writing Zenobia