æsthetic analogy aristocratic Arnold artist beauty better birds Brunetière Carlyle character charm cism common conscious criticism democracy democratic disinterested doubt elective affinities elements eloquence Emerson emotions excellence experience fact fancy feel Ferdinand Brunetière flavor force Frederic Harrison French fresh genius George Eliot GILBERT WHITE give Goethe happiness Henry James human ideal ideas imagination intellectual interest judgment kind language less literary value literature live look Madame de Staël man's Matthew Arnold mind moral nature never one's past pleasure poem poet poetic poetry probably prose Protestantism pure re-read reader reason religion religious Renan Sainte-Beuve says Schopenhauer seek seems sense sentences Shakespeare sonal soul speak spirit style suggestive taste Tennyson things thought tion touch trees true truth ture Victor Hugo vital Whitman whole words Wordsworth writer youth
Page 10 - But to speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachableness of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.
Page 77 - Consider the lilies of the field; they toil not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these.
Page 185 - Thy voice is heard thro' rolling drums, That beat to battle where he stands; Thy face across his fancy comes, And gives the battle to his hands : A moment, while the trumpets blow, He sees his brood about thy knee ; The next, like fire he meets the foe, And strikes him dead for thine and thee. So Lilia sang: we thought her halfpossess'd, She struck such warbling fury thro...
Page 194 - I saw it distinctly, more than once, put out its short leg while on the wing, and, by a bend of the head, deliver somewhat into its mouth. If it takes any part of its prey with its foot, as I have now the greatest reason to suppose it does these chafers, I no longer wonder at the use of its middle toe, which is curiously furnished with a serrated claw.
Page 182 - The poet, the orator, bred in the woods, whose senses have been nourished by their fair and appeasing changes, year after year, without design and without heed, — shall not lose their lesson altogether, in the roar of cities or the broil of politics.
Page 180 - It is rapid harmony, exactly adjusted to the sense : It is vehement reasoning, without any appearance of art: It is disdain, anger, boldness, freedom, involved in a continued stream of argument : And, of all human productions, the orations of DEMOSTHENES present to us the models which, approach the nearest to perfection.
Page 183 - At the call of a noble sentiment, again the woods wave, the pines murmur, the river rolls and shines, and the cattle low upon the mountains, as he saw and heard them in his infancy. And with these forms, the spells of persuasion, the keys of power are put into his hands.
Page 199 - Spercheusque et virginibus bacchata Lacaenis Taygeta! o qui me gelidis convallibus Haemi sistat, et ingenti ramorum protegat umbra!
Page 225 - I long ago lost a hound, a bay horse and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks, and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud; and they seemed as anxious to recover them as if they had lost them themselves.