Shakspere: A Critical Study of His Mind and ArtC. Kegan Paul, 1877 - 434 pages |
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... poetic genius . " — Standard . " There are indications of poetic feeling , and of a sensitiveness to natural beauty which will make his poems welcome to many readers . " - Pall Mall Gazette . C. KEGAN PAUL & Co. , LONDON . A CRITICAL ...
... poetic genius . " — Standard . " There are indications of poetic feeling , and of a sensitiveness to natural beauty which will make his poems welcome to many readers . " - Pall Mall Gazette . C. KEGAN PAUL & Co. , LONDON . A CRITICAL ...
Page vi
... poet's life up to the date of its creation . After Shakspere had written these two tragedies , or while he was writing them , he continued to write comedy . But the genial spirit of comedy was deserting him . " Twelfth Night " resumes ...
... poet's life up to the date of its creation . After Shakspere had written these two tragedies , or while he was writing them , he continued to write comedy . But the genial spirit of comedy was deserting him . " Twelfth Night " resumes ...
Page xiii
... poet to the mind of the creator . Still no one , I suppose , would maintain that a product of mind , so large and manifold as the writings of Shakspere , can fail in some measure to reveal its origin and cause . The reader must not fall ...
... poet to the mind of the creator . Still no one , I suppose , would maintain that a product of mind , so large and manifold as the writings of Shakspere , can fail in some measure to reveal its origin and cause . The reader must not fall ...
Page 1
... poet , and the first word must explain precisely what such a view or aspect is worth , what it professes to be , and what it disclaims . Newman , in his " Grammar of Assent , " has distinguished two modes of apprehending propositions ...
... poet , and the first word must explain precisely what such a view or aspect is worth , what it professes to be , and what it disclaims . Newman , in his " Grammar of Assent , " has distinguished two modes of apprehending propositions ...
Page 2
... poet must be the chief end of our study - to receive from his nature the peculiar impulse and impression . which he , best of all , can give . We must not attenuate Shakspere to an aspect , or reduce him to a definition , or deprive him ...
... poet must be the chief end of our study - to receive from his nature the peculiar impulse and impression . which he , best of all , can give . We must not attenuate Shakspere to an aspect , or reduce him to a definition , or deprive him ...
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action Antony and Cleopatra artist attain beauty Bolingbroke Brutus Caliban Capulet Cassius character Coleridge comedy comic Cordelia Coriolanus Cressida criticism Cymbeline death deed delight Desdemona drama dream earth energy evil fact Falstaff father feeling genius Gervinus grave Hamlet hand heart heaven Helena Henry heroic historical plays honour human humour Iago ideal imagination intellect Jahrbuch Julius Cæsar King Kreyssig Laertes Lear lives lord Love's Labour's Lost lover loyalty Macbeth manhood mind mirth moral mystery nature night noble Ophelia Othello passion period person poems poet Polonius Portia possessed present Prince Prospero Queen Richard Romeo and Juliet scene sense Shak Shakespeare Shakspere Shakspere Society Shakspere's Shakspere's plays Sonnets sorrow soul spere spirit strength Tempest tender terrible thee things thou thought Timon Timon of Athens tragedy tragic Troilus Troilus and Cressida true truth uttered virtue weakness woman words written youth