Shakspere: A Critical Study of His Mind and ArtC. Kegan Paul, 1877 - 434 pages |
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Page 3
... artist to the mind of the creator : but it by no means prevents our returning to view the work of art simply as such , apart from the artist , and as such to receive delight from it . Nay , in the end it augments our delight by enabling ...
... artist to the mind of the creator : but it by no means prevents our returning to view the work of art simply as such , apart from the artist , and as such to receive delight from it . Nay , in the end it augments our delight by enabling ...
Page 6
... artist , a Milton , a Michael Angelo , a Dante , betrays himself in spite of the haughtiest reserve . But Shakspere , if an idealist , was also above all else a realist in art , and lurks almost impregnably behind his work . " The ...
... artist , a Milton , a Michael Angelo , a Dante , betrays himself in spite of the haughtiest reserve . But Shakspere , if an idealist , was also above all else a realist in art , and lurks almost impregnably behind his work . " The ...
Page 7
... artist and as a man . We do not now place " A Midsummer Night's Dream " and " The Tempest " side by side as Shak- spere's plays of fairyland . We know that a long interval of time lies between the two , and that if they resemble one ...
... artist and as a man . We do not now place " A Midsummer Night's Dream " and " The Tempest " side by side as Shak- spere's plays of fairyland . We know that a long interval of time lies between the two , and that if they resemble one ...
Page 23
... artistic handling . Elizabethan drama gives us the stuff of life itself , the coarse with the fine , the mean with the heroic , the humorous and grotesque with the tragic and the terrible . The personages of the drama - if we except ...
... artistic handling . Elizabethan drama gives us the stuff of life itself , the coarse with the fine , the mean with the heroic , the humorous and grotesque with the tragic and the terrible . The personages of the drama - if we except ...
Page 28
... artistic instincts — positive rather than speculative - prefer the majesty and infinite sadness of unexplainedness to any attempt to look on towards a future solution of hard riddles in human fates . ” — E . D. West ( in the first of ...
... artistic instincts — positive rather than speculative - prefer the majesty and infinite sadness of unexplainedness to any attempt to look on towards a future solution of hard riddles in human fates . ” — E . D. West ( in the first of ...
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action Antony and Cleopatra artist attain beauty Bolingbroke Brutus Caliban Capulet Cassius character Coleridge comedy comic Cordelia Coriolanus Cressida criticism Cymbeline death deed delight Desdemona drama dream earth energy evil fact Falstaff father feeling genius Gervinus grave Hamlet hand heart heaven Helena Henry heroic historical plays honour human humour Iago ideal imagination intellect Jahrbuch Julius Cæsar King Kreyssig Laertes Lear lives lord Love's Labour's Lost lover loyalty Macbeth manhood mind mirth moral mystery nature night noble Ophelia Othello passion period person poems poet Polonius Portia possessed present Prince Prospero Queen Richard Romeo and Juliet scene sense Shak Shakespeare Shakspere Shakspere Society Shakspere's Shakspere's plays Sonnets sorrow soul spere spirit strength Tempest tender terrible thee things thou thought Timon Timon of Athens tragedy tragic Troilus Troilus and Cressida true truth uttered virtue weakness woman words written youth