Shakspere: A Critical Study of His Mind and ArtC. Kegan Paul, 1877 - 434 pages |
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Page v
... Shaksperian scholarship . I wish to insist upon the statement made on p . 278 that " Julius Cæsar " lies in point of time ... Shakspere's nature , it was so much a subject of special predilection , it is so closely connected with older ...
... Shaksperian scholarship . I wish to insist upon the statement made on p . 278 that " Julius Cæsar " lies in point of time ... Shakspere's nature , it was so much a subject of special predilection , it is so closely connected with older ...
Page vii
... Shakspere's company , the Lord Chamberlain's Servants . Was this Shakspere's play ? We are thrown back upon internal evidence to decide the question , and the internal evidence is itself of a conflicting kind , and has led to opposite ...
... Shakspere's company , the Lord Chamberlain's Servants . Was this Shakspere's play ? We are thrown back upon internal evidence to decide the question , and the internal evidence is itself of a conflicting kind , and has led to opposite ...
Page ix
... Shakspere's conception of Cressida and of Pandar differs widely from Chaucer's ; in Shakspere's hands in accordance with the general design of the drama , Cressida and her uncle grow base and contemptible . Some critics have supposed ...
... Shakspere's conception of Cressida and of Pandar differs widely from Chaucer's ; in Shakspere's hands in accordance with the general design of the drama , Cressida and her uncle grow base and contemptible . Some critics have supposed ...
Page xiii
... Shakspere was un- like Romeo , and unlike Hamlet . Still it is evident not from one play , but from many , that the struggle between " blood " and " judgment " was a great affair of Shakspere's life ; and in all his later works we.
... Shakspere was un- like Romeo , and unlike Hamlet . Still it is evident not from one play , but from many , that the struggle between " blood " and " judgment " was a great affair of Shakspere's life ; and in all his later works we.
Page xiv
... Shakspere . Nor do I identify Shak- spere with Prospero ; although Shakspere's temper in the plays of the last period is the temper of Prospero . It would not be easy to picture to ourselves the great magician waited on by such ...
... Shakspere . Nor do I identify Shak- spere with Prospero ; although Shakspere's temper in the plays of the last period is the temper of Prospero . It would not be easy to picture to ourselves the great magician waited on by such ...
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action Antony and Cleopatra artist attain beauty Bolingbroke Brutus Caliban Capulet Cassius character Coleridge comedy comic Cordelia Coriolanus Cressida criticism Cymbeline death deed delight Desdemona drama dream earth energy evil fact Falstaff father feeling genius Gervinus grave Hamlet hand heart heaven Helena Henry heroic historical plays honour human humour Iago ideal imagination intellect Jahrbuch Julius Cæsar King Kreyssig Laertes Lear lives lord Love's Labour's Lost lover loyalty Macbeth manhood mind mirth moral mystery nature night noble Ophelia Othello passion period person poems poet Polonius Portia possessed present Prince Prospero Queen Richard Romeo and Juliet scene sense Shak Shakespeare Shakspere Shakspere Society Shakspere's Shakspere's plays Sonnets sorrow soul spere spirit strength Tempest tender terrible thee things thou thought Timon Timon of Athens tragedy tragic Troilus Troilus and Cressida true truth uttered virtue weakness woman words written youth