The Complete Poetical Works of Samuel Rogers: With a Biographical Sketch, and Notes |
From inside the book
Page vi
... ITALY , 259 The Lake of Geneva , 261 Meillerie , 264 St. Maurice , 266 The Great St. Bernard , 267 The Descent , . 271 Jorasse , 273 Marguerite De Tours , 276 The Brothers , 278 The Alps , 281 Como , .. 283 Bergamo , 286 Italy , Coll ...
... ITALY , 259 The Lake of Geneva , 261 Meillerie , 264 St. Maurice , 266 The Great St. Bernard , 267 The Descent , . 271 Jorasse , 273 Marguerite De Tours , 276 The Brothers , 278 The Alps , 281 Como , .. 283 Bergamo , 286 Italy , Coll ...
Page 17
... Italy , when letters first revived , the chiv- alrous principle was too near the period of its full vigor to be oppressed by his foreign learning . Ancient ornaments were bor- rowed ; but the romantic form was prevalent ; and where the ...
... Italy , when letters first revived , the chiv- alrous principle was too near the period of its full vigor to be oppressed by his foreign learning . Ancient ornaments were bor- rowed ; but the romantic form was prevalent ; and where the ...
Page 42
... Italy . ' " The great character of this poem ( Italy ) as it is in The Pleasures of Memory , is simplicity ; but here simplicity assumes a nobler shape . Although to a certain degree there is an alteration in the tone of the last from ...
... Italy . ' " The great character of this poem ( Italy ) as it is in The Pleasures of Memory , is simplicity ; but here simplicity assumes a nobler shape . Although to a certain degree there is an alteration in the tone of the last from ...
Page 46
... Italy , Mackintosh wrote him that " Hume could not im- prove the thoughts , nor Addison the language . " And Moore says , in his diary , that he feels it would do one good to study such writ- ing , if not as a model , yet as a chastener ...
... Italy , Mackintosh wrote him that " Hume could not im- prove the thoughts , nor Addison the language . " And Moore says , in his diary , that he feels it would do one good to study such writ- ing , if not as a model , yet as a chastener ...
Page 53
... Italy , by A. Mantegna and others ; and Francia had such energy and diversity of talents that , in his mature age , he success- fully made himself master of the art of painting , which was so much more remote from his own original ...
... Italy , by A. Mantegna and others ; and Francia had such energy and diversity of talents that , in his mature age , he success- fully made himself master of the art of painting , which was so much more remote from his own original ...
Contents
9 | |
63 | |
75 | |
99 | |
121 | |
163 | |
179 | |
215 | |
314 | |
321 | |
328 | |
335 | |
348 | |
355 | |
358 | |
366 | |
261 | |
267 | |
273 | |
281 | |
289 | |
298 | |
306 | |
372 | |
378 | |
387 | |
397 | |
403 | |
411 | |
419 | |
Other editions - View all
Common terms and phrases
admirable Æneid Æschylus age to age ancient beautiful blessed blest Boccaccio breathe bright CALIFORNIA LIBRARY called CANTO charm child Cicero clouds Columbus cried dark delight dream earth EPES SARGENT Euripides eyes father fear feeling fled Florence flowers forever gazed genius GENOA glows gold gondolier gone grave grove hand heard heart heaven Hist holy hour Italy light lived look Lord Lord Byron lost Madame de Staël Memory mind musing night o'er once passed Petrarch picture pleasure poem poet poetical poetry rise Rogers round sacred sail SAMUEL ROGERS sate says scene seen shade shore sigh silent sitting sleep smile song soon soul spirit stood sung sweet taste tears thee thine things thou thought Titian turned UNIVERSITY OF CALIFORNIA VENICE Verdea verse voice wander wave whence wild young youth