Elements of Criticism, Volume 2J. Bell and W. Creech, 1788 - Criticism |
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Page 24
... ornament , is adapted to fubjects grave and didactic . Language may be confidered as the drefs of thought ; and where the one is not suited to the other , we are sensible of incongruity , in the fame manner as where a judge is dreffed ...
... ornament , is adapted to fubjects grave and didactic . Language may be confidered as the drefs of thought ; and where the one is not suited to the other , we are sensible of incongruity , in the fame manner as where a judge is dreffed ...
Page 82
... of means , as furnishing oppor- tunity for numberlefs ornaments that find no place in a natural style : hence the force , the elevation , the the harmony , the cadence , of fome compofitions : 82 Ch . XVIII . BEAUTY OF LANGUAGE .
... of means , as furnishing oppor- tunity for numberlefs ornaments that find no place in a natural style : hence the force , the elevation , the the harmony , the cadence , of fome compofitions : 82 Ch . XVIII . BEAUTY OF LANGUAGE .
Page 204
... ornament ; fuch as comparisons that fet the principal object in a ftrong point of view , or that embellish and diverfify the narra- tion . In general , when by any animating paffion , whether pleasant or painful , an impulfe is given to ...
... ornament ; fuch as comparisons that fet the principal object in a ftrong point of view , or that embellish and diverfify the narra- tion . In general , when by any animating paffion , whether pleasant or painful , an impulfe is given to ...
Page 323
... ornaments and graces fuit not any of the difpiriting paffions , nor are proper for ex- preffing any thing grave and important . In fami- liar conversation , they are in fome measure ridicu- lous ; lous : Profpero , in the Tempeft ...
... ornaments and graces fuit not any of the difpiriting paffions , nor are proper for ex- preffing any thing grave and important . In fami- liar conversation , they are in fome measure ridicu- lous ; lous : Profpero , in the Tempeft ...
Page 324
... and nothing consequently more fa- tiating , than redundant ornaments of any kind . CHAP . CHA P. XXI . .325 NARRATION AND DESCRIPTION . HOR 324 Ch . XX . FIGURES . In the last place, Though figures of speech have ...
... and nothing consequently more fa- tiating , than redundant ornaments of any kind . CHAP . CHA P. XXI . .325 NARRATION AND DESCRIPTION . HOR 324 Ch . XX . FIGURES . In the last place, Though figures of speech have ...
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Common terms and phrases
abſtract accent action Æneid againſt agreeable alfo alſo appears beauty becauſe caufe cauſe cenfured chap circumftance cloſe compariſon compofition confidered connected defcribing defcription difagreeable diftinct diftinguiſhed effect emotions Eneid Engliſh epic epic poetry example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparation fhall fhould fignify figure fimile fingle firft firſt fome ftill fubject fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances inverfion itſelf ject language laſt leaſt lefs leſs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obfervation object occafion ornaments paffage paffion paufe pauſe perfon pleaſant pleaſe pleaſure poem preſent profe proper purpoſe raiſed reaſon refpect reft reliſh repreſentation repreſented reſemblance rhyme Richard II rule ſcarce ſcene ſenſe ſeparated ſhall ſhort ſpeech Spondees tafte taſte thefe theſe things thoſe thou tion uſe vafe verfe verſe words
Popular passages
Page 337 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 317 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 281 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Page 332 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 364 - I'll give my jewels, for a set of beads ; My gorgeous palace, for a hermitage ; My gay apparel, for an alms-man's gown ; My...
Page 187 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Page 237 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 192 - A blank, my lord : She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek : she pined in thought ; And, with a green and yellow melancholy, She sat like patience on a monument, Smiling at grief.
Page 197 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 279 - Thou hast brought a vine out of Egypt: thou hast cast out the heathen, and planted it. Thou preparedst room before it, and didst cause it to take deep root, and it filled the land. The hills were covered with the shadow of it, and the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, and her branches unto the river.