Emblematics and Seventeenth-century French Literature: Descartes, Tristan, La Fontaine, and Perrault |
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Page 39
... style of an inscription to be displayed or engraved on a plinth . Such a poem , and indeed many other epigrams of the Lacrymæ collegii in the same style , could reasonably have been intended for display next to a portrait ( or statue ) ...
... style of an inscription to be displayed or engraved on a plinth . Such a poem , and indeed many other epigrams of the Lacrymæ collegii in the same style , could reasonably have been intended for display next to a portrait ( or statue ) ...
Page 44
... style would not be lost in Descartes's later works . The Regulæ ad directionem ingenii , written around 1628 ( although not published until 1701 ) , consists precisely of a series of one- or two - sentence rules upon which long ...
... style would not be lost in Descartes's later works . The Regulæ ad directionem ingenii , written around 1628 ( although not published until 1701 ) , consists precisely of a series of one- or two - sentence rules upon which long ...
Page 125
... style is marked by the simplicity that is also characteristic of many of the engravings of the early emblem books . The woodcut is dominated by a pictorial representation of the main " event " of the fable whereas the background offers ...
... style is marked by the simplicity that is also characteristic of many of the engravings of the early emblem books . The woodcut is dominated by a pictorial representation of the main " event " of the fable whereas the background offers ...
Contents
Emblematics in SeventeenthCentury France | 5 |
Traces of an Emblematic Upbringing | 31 |
Tristans Emblematic Sonnets | 77 |
Copyright | |
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additional Amours analysis appeared authors autres bears Bibliothèque bien century chapter Charles choses composition conclusion Contes context corps cultural d'une dans Descartes Descartes's described deux devices devises dire Discours discussed edition emblem books emblematic engraving example expression Fables FACING fact faire fait figure final Flèche followed Fontaine Fontaine's Fouquet France French further given gives Glasgow Grand Guéroult illustration important indicate influence interaction Jean Jesuit l'art La Fontaine lines literary Louis manuscript meaning method moral motto n'est nature Nonetheless opening Paris Perrault picture piece play poem present printed provides published qu'il question raison reader reading Recueil reference represents Royal seventeenth seventeenth-century similar specific style suggests theme tion tout tradition Tristan L'Hermite underlining various vers verses visual