Emblematics and Seventeenth-century French Literature: Descartes, Tristan, La Fontaine, and Perrault |
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Page 51
... reader were thinking for himself ' ( 43 , Lyons's italics ) . Indeed , Descartes himself indicates that the reader should not be content to accept passively facts presented by the author : Comme , pour moi , je me persuade que , si on m ...
... reader were thinking for himself ' ( 43 , Lyons's italics ) . Indeed , Descartes himself indicates that the reader should not be content to accept passively facts presented by the author : Comme , pour moi , je me persuade que , si on m ...
Page 61
... readers ; in so doing he expresses a different level of meaning by association with the message his reader would expect . The mod- ern reader can only fully understand Descartes's texts when aware of the references that he is ...
... readers ; in so doing he expresses a different level of meaning by association with the message his reader would expect . The mod- ern reader can only fully understand Descartes's texts when aware of the references that he is ...
Page 129
... reader's mind in the same way that he might retain the memory of an engraving or a woodblock . However , in creating this verbal imago La Fontaine draws on references far beyond those of a direct description . Indeed , the section in ...
... reader's mind in the same way that he might retain the memory of an engraving or a woodblock . However , in creating this verbal imago La Fontaine draws on references far beyond those of a direct description . Indeed , the section in ...
Contents
Emblematics in SeventeenthCentury France | 5 |
Traces of an Emblematic Upbringing | 31 |
Tristans Emblematic Sonnets | 77 |
Copyright | |
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Common terms and phrases
additional Amours analysis appeared authors autres bears Bibliothèque bien century chapter Charles choses composition conclusion Contes context corps cultural d'une dans Descartes Descartes's described deux devices devises dire Discours discussed edition emblem books emblematic engraving example expression Fables FACING fact faire fait figure final Flèche followed Fontaine Fontaine's Fouquet France French further given gives Glasgow Grand Guéroult illustration important indicate influence interaction Jean Jesuit l'art La Fontaine lines literary Louis manuscript meaning method moral motto n'est nature Nonetheless opening Paris Perrault picture piece play poem present printed provides published qu'il question raison reader reading Recueil reference represents Royal seventeenth seventeenth-century similar specific style suggests theme tion tout tradition Tristan L'Hermite underlining various vers verses visual