Elements of Criticism, Volume 1 |
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Page 216
Lord Henry Home Kames Peter Jones. 19 CHAPTER IX 10 Uniformity and Variety In attempting to explain uniformity and variety , in order to show how we are affected by these circumstances , a doubt occurs , what method ought to be followed ...
Lord Henry Home Kames Peter Jones. 19 CHAPTER IX 10 Uniformity and Variety In attempting to explain uniformity and variety , in order to show how we are affected by these circumstances , a doubt occurs , what method ought to be followed ...
Page 221
... variety but by change of place . A train composed of ideas of memory , is still less under our power ; because we cannot at will call up any idea that is not connected with the train . * But a train of ideas suggested by reading , may ...
... variety but by change of place . A train composed of ideas of memory , is still less under our power ; because we cannot at will call up any idea that is not connected with the train . * But a train of ideas suggested by reading , may ...
Page 228
... variety . " But after the subject is explained and illustrated as above , I presume it will be evident , that this definition , however applicable to one or other species , is far from being just with respect to beauty in general : variety ...
... variety . " But after the subject is explained and illustrated as above , I presume it will be evident , that this definition , however applicable to one or other species , is far from being just with respect to beauty in general : variety ...
Contents
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers