Elements of Criticism, Volume 1 |
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Page 60
... former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and repassing between things related , explains the facts above mentioned : the ...
... former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and repassing between things related , explains the facts above mentioned : the ...
Page 68
... former , and often . sinking toward the latter . In a vigorous exertion of memory , ideal presence is extremely distinct : thus , when a man , entirely occupied with some event that made a deep impression , forgets himself , he ...
... former , and often . sinking toward the latter . In a vigorous exertion of memory , ideal presence is extremely distinct : thus , when a man , entirely occupied with some event that made a deep impression , forgets himself , he ...
Page 82
... former : he is qualified to judge , and he will give preference to social pleasures as more sweet and refined . In fact they maintain that character , not only in the direct feeling , but also when we make them the subject of reflection ...
... former : he is qualified to judge , and he will give preference to social pleasures as more sweet and refined . In fact they maintain that character , not only in the direct feeling , but also when we make them the subject of reflection ...
Contents
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers