Elements of Criticism, Volume 1 |
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... would remain many more gaps in notes to the text than still exist , and I wish to thank most warmly William Desmond , Jean Jones , Emilio Mazza , Åsa Söderman , and Robert Wokler . ELEMENTS OF CRITICISM VOLUME I ELEMENTS OF CRITICISM . The.
... would remain many more gaps in notes to the text than still exist , and I wish to thank most warmly William Desmond , Jean Jones , Emilio Mazza , Åsa Söderman , and Robert Wokler . ELEMENTS OF CRITICISM VOLUME I ELEMENTS OF CRITICISM . The.
Page 14
... criticism , when thus studied as a rational science . In the first place , a thorough acquaintance with the principles of the fine arts , redoubles the pleasure we derive from them . To the man who resigns himself to feeling without ...
... criticism , when thus studied as a rational science . In the first place , a thorough acquaintance with the principles of the fine arts , redoubles the pleasure we derive from them . To the man who resigns himself to feeling without ...
Page 18
... criticism , are founded upon the sensitive part of our nature . What the au- thor hath discovered or collected upon that subject , he chuses to impart in the gay and agreeable form of criticism ; imagining that this form will be more ...
... criticism , are founded upon the sensitive part of our nature . What the au- thor hath discovered or collected upon that subject , he chuses to impart in the gay and agreeable form of criticism ; imagining that this form will be more ...
Contents
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers