The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
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Page 91
... relation of beauty and truth ; it is rather : was Keats the poet able to exemplify that relation in this partic- ular poem . Middleton Murry is right : the relation of the final statement in the poem to the total context is all ...
... relation of beauty and truth ; it is rather : was Keats the poet able to exemplify that relation in this partic- ular poem . Middleton Murry is right : the relation of the final statement in the poem to the total context is all ...
Page 267
... relation- ships in speech and prose was timely , indeed , after three centuries of Cartesian contempt for metaphor and rhetoric in all its modes . However , in order to understand how Mr. Empson developed Mr. Richards ' method it is ...
... relation- ships in speech and prose was timely , indeed , after three centuries of Cartesian contempt for metaphor and rhetoric in all its modes . However , in order to understand how Mr. Empson developed Mr. Richards ' method it is ...
Page 268
... relation in which its osten- sible propositions stand to an audience of peculiar mental com- plexion . The nature of ... relations , while a poem has external relations only ac- cidentally . For example , the speech of Marvell's lover to ...
... relation in which its osten- sible propositions stand to an audience of peculiar mental com- plexion . The nature of ... relations , while a poem has external relations only ac- cidentally . For example , the speech of Marvell's lover to ...
Contents
Fulton A | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Albert Taylor Bledsoe | 34 |
Copyright | |
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action American appeared beauty become beginning believe called cause century character course criticism culture dark death effect England English experience expression expressionistic eyes fact feeling final followed force French give hand head heart human ideal ideas imagination important individual interest interpretation isolation John Keats kind later leaves less letters light lines literary literature living looked means merely method mind moral move nature never once passion past perhaps person philosophy play poem poet poetry political possible practical present problem question reader reason relation result rhetorical scene seems sense Shakespeare social society sound stage suggests thing thought tion tradition true truth turned understand University whole writing young