The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
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Page 90
... question of real importance is not whether Eliot , Murry , and Garrod are right in thinking that " Beauty is truth , truth beauty " injures the poem . The question of real importance . concerns beauty and truth in a much more general ...
... question of real importance is not whether Eliot , Murry , and Garrod are right in thinking that " Beauty is truth , truth beauty " injures the poem . The question of real importance . concerns beauty and truth in a much more general ...
Page 91
... question of truth . But is it really a question of truth and falsity ? One is tempted to account for the difference of effect which Eliot feels in this way : " Ripeness is all " is a statement put in the mouth of a dramatic character ...
... question of truth . But is it really a question of truth and falsity ? One is tempted to account for the difference of effect which Eliot feels in this way : " Ripeness is all " is a statement put in the mouth of a dramatic character ...
Page 197
... question as ueber- wundener Standpunkt . This means that the ultimate question about the meaning of life is either not raised , or it is assumed that some system of rationality or causality is regarded as an adequate answer to the question ...
... question as ueber- wundener Standpunkt . This means that the ultimate question about the meaning of life is either not raised , or it is assumed that some system of rationality or causality is regarded as an adequate answer to the question ...
Contents
AUTHOR | 7 |
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Copyright | |
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aesthetic Allen Tate American aristocratic Aristotle Arthur Rimbaud Arthur Symons artistic beauty Bledsoe century character Christian Corley criticism culture D. H. Lawrence dark death Dewey Dewey's distortion Donne dramatic East Coker Eliot emotional Empson England English experience expression expressionism expressionistic eyes fact feeling Flaubert forest freedom French George Moore glade heart Hooker Howards End human Hutchins ideal ideas imagination individual intellectual intelligence isolation Jefferson Keats liberal light lines literary literature living look Madame Bovary means Meiklejohn metaphysical method mind modern moral nation nature neoclassicism never Nietzsche novel Orson passion philosophy play poem poet poetic poetry political reader reason rhetorical Rimbaud scene seems sense Sewanee Sewanee Review Shakespeare social society spirit stage stanza symbol T. S. Eliot theme things thought tion tradition truth University Verlaine verse words Wordsworth writing