The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
From inside the book
Results 1-3 of 63
Page 165
... force to intelligence , that Dewey is only against " vio- lence , " that is , " unnecessary or unintelligent use of force . " This , obviously , begs the question . The issue is simply shifted to when is and when is not force ...
... force to intelligence , that Dewey is only against " vio- lence , " that is , " unnecessary or unintelligent use of force . " This , obviously , begs the question . The issue is simply shifted to when is and when is not force ...
Page 286
... force . Some- times he accomplished it , as in his military masterpiece of Brice's Cross Roads , by fighting a desperate holding battle with part of his command in front of an enemy of overwhelming strength , while another part swung ...
... force . Some- times he accomplished it , as in his military masterpiece of Brice's Cross Roads , by fighting a desperate holding battle with part of his command in front of an enemy of overwhelming strength , while another part swung ...
Page 513
... force , that keeps poetry a living thing , the modernizing and ever - modern influence . The statement that the process does not involve the poet as subject , to the extent to which that is true , precludes direct egotism . On the other ...
... force , that keeps poetry a living thing , the modernizing and ever - modern influence . The statement that the process does not involve the poet as subject , to the extent to which that is true , precludes direct egotism . On the other ...
Contents
AUTHOR | 7 |
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Copyright | |
45 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Allen Tate American aristocratic Aristotle Arthur Rimbaud Arthur Symons artistic beauty Bledsoe century character Christian Corley criticism culture D. H. Lawrence dark death Dewey Dewey's distortion Donne dramatic East Coker Eliot emotional Empson England English experience expression expressionism expressionistic eyes fact feeling Flaubert forest freedom French George Moore glade heart Hooker Howards End human Hutchins ideal ideas imagination individual intellectual intelligence isolation Jefferson Keats liberal light lines literary literature living look Madame Bovary means Meiklejohn metaphysical method mind modern moral nation nature neoclassicism never Nietzsche novel Orson passion philosophy play poem poet poetic poetry political reader reason rhetorical Rimbaud scene seems sense Sewanee Sewanee Review Shakespeare social society spirit stage stanza symbol T. S. Eliot theme things thought tion tradition truth University Verlaine verse words Wordsworth writing