The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
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Page 162
... final causation . " To George Santayana , Dewey is " the devoted spokesman of the spirit of en- terprise . . . of modern industry . " One critic ( Randall ) even sees in Dewey's use of the past as something to build " further " the ...
... final causation . " To George Santayana , Dewey is " the devoted spokesman of the spirit of en- terprise . . . of modern industry . " One critic ( Randall ) even sees in Dewey's use of the past as something to build " further " the ...
Page 163
... final values within Dewey's experimentalism . Here Dewey approaches that final end which Marx called " human society , " making pos- sible " the whole human being . " Dewey's realization that " growth " does not distinguish between ...
... final values within Dewey's experimentalism . Here Dewey approaches that final end which Marx called " human society , " making pos- sible " the whole human being . " Dewey's realization that " growth " does not distinguish between ...
Page 341
... final end ! This is the characteristic operatic lyricism of the will , a delib- erate churning up of lethargic motions almost for the sake of the thrill of feeling emotional . Although it doesn't occur often , it is of a piece with the ...
... final end ! This is the characteristic operatic lyricism of the will , a delib- erate churning up of lethargic motions almost for the sake of the thrill of feeling emotional . Although it doesn't occur often , it is of a piece with the ...
Contents
AUTHOR | 7 |
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Copyright | |
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aesthetic Allen Tate American aristocratic Aristotle Arthur Rimbaud Arthur Symons artistic beauty Bledsoe century character Christian Corley criticism culture D. H. Lawrence dark death Dewey Dewey's distortion Donne dramatic East Coker Eliot emotional Empson England English experience expression expressionism expressionistic eyes fact feeling Flaubert forest freedom French George Moore glade heart Hooker Howards End human Hutchins ideal ideas imagination individual intellectual intelligence isolation Jefferson Keats liberal light lines literary literature living look Madame Bovary means Meiklejohn metaphysical method mind modern moral nation nature neoclassicism never Nietzsche novel Orson passion philosophy play poem poet poetic poetry political reader reason rhetorical Rimbaud scene seems sense Sewanee Sewanee Review Shakespeare social society spirit stage stanza symbol T. S. Eliot theme things thought tion tradition truth University Verlaine verse words Wordsworth writing