The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
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Page 49
... dark and he stood out against it , first his head , then his upper body , then all of him . He seemed to be walking into an immense cave . At the steps that led precipitously up away from the hill into the house , he stopped and turned ...
... dark and he stood out against it , first his head , then his upper body , then all of him . He seemed to be walking into an immense cave . At the steps that led precipitously up away from the hill into the house , he stopped and turned ...
Page 173
... dark night of the soul described by St. John of the Cross ; this association is the link between sections two and three . The darkness is first used in another way ; the dark state of present day European civilization is pic- tured ...
... dark night of the soul described by St. John of the Cross ; this association is the link between sections two and three . The darkness is first used in another way ; the dark state of present day European civilization is pic- tured ...
Page 410
... dark . " expressionism is suggested not only in the settings but in the almost kaleidoscopic sequence by which they are bound together , a sequence emphasized by music , offstage voices , and the clatter- ing of horses ' hoofs , heard ...
... dark . " expressionism is suggested not only in the settings but in the almost kaleidoscopic sequence by which they are bound together , a sequence emphasized by music , offstage voices , and the clatter- ing of horses ' hoofs , heard ...
Contents
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Albert Taylor Bledsoe | 34 |
Copyright | |
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aesthetic Allen Tate American aristocratic Aristotle Arthur Rimbaud Arthur Symons artistic beauty Bledsoe century character Corley criticism culture D. H. Lawrence dark death Dewey Dewey's distortion Donne dramatic East Coker Eliot emotional Empson England English essay experience expression expressionism expressionistic eyes fact feeling Flaubert forest Forster freedom French George Moore glade heart historian Hooker Howards End human Hutchins ideal imagination isolation Jefferson Keats light lines literary literature looked lover Madame Bovary means Meiklejohn method mind modern moral nature neoclassicism never Nietzsche novel Orson passion perhaps philosophy play poem poet poetic poetry political reader rhetorical Rimbaud scene seems sense Sewanee Sewanee Review Shakespeare social society sound stage stanza suggests symbol Symons T. S. Eliot theme thing thought tion tradition trees truth turned University Verlaine verse words Wordsworth writing