The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
From inside the book
Results 1-3 of 31
Page 90
... Beauty is truth , truth beauty " injures the poem . The question of real importance concerns beauty and truth in a much more general way : what is the relation of the beauty ( the goodness , the perfection ) of a poem to the truth or ...
... Beauty is truth , truth beauty " injures the poem . The question of real importance concerns beauty and truth in a much more general way : what is the relation of the beauty ( the goodness , the perfection ) of a poem to the truth or ...
Page 100
... beauty is based - what else is the poem concerned with ? on an imaginative perception of essentials . Such a vision is beautiful but it is also true./The Sylvan his- torian presents us with beautiful histories , but they are true ...
... beauty is based - what else is the poem concerned with ? on an imaginative perception of essentials . Such a vision is beautiful but it is also true./The Sylvan his- torian presents us with beautiful histories , but they are true ...
Page 204
... beauty which , when we turn from it to analyze it , is certainly in the realm of the humanities . After a while , some one of our group may say , " Bend your head to one side and look again . " Those who have never done this before will ...
... beauty which , when we turn from it to analyze it , is certainly in the realm of the humanities . After a while , some one of our group may say , " Bend your head to one side and look again . " Those who have never done this before will ...
Contents
Fulton A | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Albert Taylor Bledsoe | 34 |
Copyright | |
48 other sections not shown
Other editions - View all
Common terms and phrases
action American appeared beauty become beginning believe called cause century character course criticism culture dark death effect England English experience expression expressionistic eyes fact feeling final followed force French give hand head heart human ideal ideas imagination important individual interest interpretation isolation John Keats kind later leaves less letters light lines literary literature living looked means merely method mind moral move nature never once passion past perhaps person philosophy play poem poet poetry political possible practical present problem question reader reason relation result rhetorical scene seems sense Shakespeare social society sound stage suggests thing thought tion tradition true truth turned understand University whole writing young