The Sewanee Review, Volume 52

action American appeared beauty become beginning believe better called century character course criticism culture dark death effect England English example experience expression expressionistic eyes face fact feeling final followed force French give hand head heart human ideal ideas imagination important individual interest isolation John kind knowledge later leaves less light lines literary literature living look means merely method mind moral move nature never once passion perhaps person philosophy play poem poet poetry political possible present question reader reason relation result rhetorical scene seems sense Shakespeare social society sound spirit stage suggests things thought tion tradition true truth turned understand University whole writing young