The Complete Poetical Works of Samuel Rogers: With a Biographical Sketch, and Notes |
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Page vi
... Lost , To the Butterfly , • • • An Epitaph on a Robin - redbreast , • To the Fragment of a Statue of Hercules , To • • The Boy of Egremond , • • Written in the Highlands of Scotland , On ... Asleep , • An Inscription in the Crimea ...
... Lost , To the Butterfly , • • • An Epitaph on a Robin - redbreast , • To the Fragment of a Statue of Hercules , To • • The Boy of Egremond , • • Written in the Highlands of Scotland , On ... Asleep , • An Inscription in the Crimea ...
Page 17
... lost its ancient characteristic principles , and was fully imbued with classical ideas . Hence it acquired faultless elegance ; hence also it became less natural , more timid and more imitative , more like a feeble translation of Roman ...
... lost its ancient characteristic principles , and was fully imbued with classical ideas . Hence it acquired faultless elegance ; hence also it became less natural , more timid and more imitative , more like a feeble translation of Roman ...
Page 24
... Lost , would before- hand have been pronounced to be unmanageable . Perhaps the genius of Shakspeare and of Milton has rather compensated for the incorri- gible defects of ungrateful subjects , than conquered them . The course of ages ...
... Lost , would before- hand have been pronounced to be unmanageable . Perhaps the genius of Shakspeare and of Milton has rather compensated for the incorri- gible defects of ungrateful subjects , than conquered them . The course of ages ...
Page 26
... Lost , where all is supernatural , and where the ancestors of the human race are not strictly human beings , it must be owned that no successful attempt has been made to ally a human action with the sublimer principles of the Christian ...
... Lost , where all is supernatural , and where the ancestors of the human race are not strictly human beings , it must be owned that no successful attempt has been made to ally a human action with the sublimer principles of the Christian ...
Page 58
... Lost , ' emphatic symbol of the uncertainty of fame ; a sketch of Stonehenge by Turner , provoca- tive of endless discussion to artist and antiquary ; bronzes , medals and choice volumes , whose very names would inspire an affluent ...
... Lost , ' emphatic symbol of the uncertainty of fame ; a sketch of Stonehenge by Turner , provoca- tive of endless discussion to artist and antiquary ; bronzes , medals and choice volumes , whose very names would inspire an affluent ...
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Common terms and phrases
admirable Æneid age to age AMALFI ancient beautiful blest Boccaccio breathe bright called CANTO charm child Cicero clouds Columbus cried dark dead delight distant dream earth Euripides eyes father fear feeling fled Florence flowers forever gazed GENOA glows gold gondolier gone grave grove hand heard heart heaven Hist holy hour light live look Lord Lord Byron Lord Landsdowne lost Madame de Staël mind musing Naples night o'er once Padua passed Petrarch picture pleasure poem poet poetical poetry rise Rogers round sacred sail Samuel Rogers sate says scene seen shade shifting sail shine shore sigh silent sitting sleep smile song soon soul spirit stir stood sung sweet tears thee thine things thou thought Titian turned VENICE Verdea verse voice wander wave weep whence wild wings young youth
Popular passages
Page 222 - MINE be a cot beside the hill ; A beehive's hum shall soothe my ear ; A willowy brook that turns a mill, With many a fall shall linger near. The swallow, oft, beneath my thatch Shall twitter from her clay-built nest ; Oft shall the pilgrim lift the latch, And share my meal, a welcome guest.
Page 325 - Stop at a palace near the Reggio-gate, Dwelt in of old by one of the Orsini. Its noble gardens, terrace above terrace, And rich in fountains, statues, cypresses, Will long detain...
Page 205 - Cabrieres which till then he neglected it is therefore Death alone that can suddenly make man to know himself he tells the proud and insolent that they are but abjects and humbles them at the instant makes them cry complain and repent yea even to hate their...
Page 446 - There it was that I found and visited the famous Galileo, grown old, a prisoner to the Inquisition, for thinking in astronomy otherwise than the Franciscan and Dominican licensers thought.
Page 205 - O eloquent, just, and mighty Death ! whom none could advise, thou hast persuaded ; what none hath dared, thou hast done ; and whom all the world hath flattered, thou only hast cast out of the world and despised ; thou hast drawn together all the far-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hie jacet...
Page 327 - Orsini lived ; and long might'st thou have seen An old man wandering as in quest of something, Something he could not find — he knew not what.
Page 56 - Life ! we've been long together Through pleasant and through cloudy weather ; 'Tis hard to part when friends are dear — Perhaps 'twill cost a sigh, a tear ; — Then steal away, give little warning, Choose thine own time ; Say not Good Night,— but in some brighter clime Bid me Good Morning.
Page 404 - Awful memorials, but of whom we know not ! The seaman, passing, gazes from the deck. The buffalo-driver, in his shaggy cloak, Points to the work of magic and moves on. Time was they stood along the crowded street, Temples of gods ! and on their ample steps What various habits, various tongues, beset The brazen gates for prayer and sacrifice...
Page 207 - ... labour and intent study, which I take to be my portion in- this life, joined with the strong propensity of nature, I might perhaps leave something so written to after-times, as they should not willingly let it die.
Page 28 - Ward has no heart, they say; but I deny it ; He has a heart, and gets his speeches by it.