The Novels of George Eliot: A Study in Form |
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Page 85
... Tito commissions as an image of their marriage , and as a prison for Dino's crucifix . Tito's growth in treachery is strong and rapid : he betrays Baldassare , then Bardo , then Romola , then Florence . It is paralleled by Romola's ...
... Tito commissions as an image of their marriage , and as a prison for Dino's crucifix . Tito's growth in treachery is strong and rapid : he betrays Baldassare , then Bardo , then Romola , then Florence . It is paralleled by Romola's ...
Page 174
... Tito's image of himself : ' I don't want your likeness — I've got it already , ' said Piero , ' only I've made you look frightened . I must take the fright out of it for Bacchus . ' ( ch . xviii ) He shows the painting of Tito ' holding ...
... Tito's image of himself : ' I don't want your likeness — I've got it already , ' said Piero , ' only I've made you look frightened . I must take the fright out of it for Bacchus . ' ( ch . xviii ) He shows the painting of Tito ' holding ...
Page 176
... Tito speaks of ' the gross , the sad , and the severe ' . Tito is no satyr , Romola is no Magdalen , Savonarola no Stoic , but the three masks , with the child , are a faint image of the three faces of Tito , Romola , and Savonarola ...
... Tito speaks of ' the gross , the sad , and the severe ' . Tito is no satyr , Romola is no Magdalen , Savonarola no Stoic , but the three masks , with the child , are a faint image of the three faces of Tito , Romola , and Savonarola ...
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Common terms and phrases
action Adam Bede Adam's Amos Barton appearance ardour Arthur author's Blackwood Bulstrode Bulstrode's Casaubon chapter characters child coincidence comes commentary context contrast crisis Daniel Deronda dead death Dinah Dorothea dramatic dream echo egoism elaborate Esther example feeling Felix Holt Floss formal Fred George Eliot gives Grandcourt Gwendolen Haight Henry James hero heroines Hetty Hetty Sorrel Hetty's human imagery imagination interest ironical irony kind later less light look Lydgate Lydgate's Maggie Maggie's marriage metaphor Middlemarch mind Mirah mirror moral move narrative novel ordinary parallel passion pathetic images pathos pattern perhaps Piero Piero di Cosimo pity plot portrait possibility present reader reading recurring relation repetition Romola Rosamund Savonarola says Scenes of Clerical seems sense sensibility shown Silas Marner social sometimes soul story strong symbol sympathy theme things thought tion Tito Tito's tone tragedy tragic Transome Transome's turn underlined vision voice woman