The Novels of George Eliot: A Study in Form |
From inside the book
Results 1-3 of 38
Page 55
... Maggie's aesthetic susceptibilities and deprivations are stressed as clues to her conflict and development . But although this commentary on Maggie is particularized — it is Philip's voice we hear — it is reasonable to suggest that it ...
... Maggie's aesthetic susceptibilities and deprivations are stressed as clues to her conflict and development . But although this commentary on Maggie is particularized — it is Philip's voice we hear — it is reasonable to suggest that it ...
Page 56
... Maggie's relation with Stephen may have resulted in a rationalization . The haste and cursoriness of the last two books is perhaps appropriate . The strong attraction of Maggie and Stephen is shown as violent , rapid , and , in a sense ...
... Maggie's relation with Stephen may have resulted in a rationalization . The haste and cursoriness of the last two books is perhaps appropriate . The strong attraction of Maggie and Stephen is shown as violent , rapid , and , in a sense ...
Page 140
... Maggie's , Tito's , Will Ladislaw's , and Gwendolen's . Maggie's vision of possibility is conveyed in the imagery of the river : its enchantment , its power , its isolation , its languor . When she listens to Stephen singing , she is ...
... Maggie's , Tito's , Will Ladislaw's , and Gwendolen's . Maggie's vision of possibility is conveyed in the imagery of the river : its enchantment , its power , its isolation , its languor . When she listens to Stephen singing , she is ...
Other editions - View all
Common terms and phrases
action Adam Bede Adam's Amos Barton appearance ardour Arthur author's Blackwood Bulstrode Bulstrode's Casaubon chapter characters child coincidence comes commentary context contrast crisis Daniel Deronda dead death Dinah Dorothea dramatic dream echo egoism elaborate Esther example feeling Felix Holt Floss formal Fred George Eliot gives Grandcourt Gwendolen Haight Henry James hero heroines Hetty Hetty Sorrel Hetty's human imagery imagination interest ironical irony kind later less light look Lydgate Lydgate's Maggie Maggie's marriage metaphor Middlemarch mind Mirah mirror moral move narrative novel ordinary parallel passion pathetic images pathos pattern perhaps Piero Piero di Cosimo pity plot portrait possibility present reader reading recurring relation repetition Romola Rosamund Savonarola says Scenes of Clerical seems sense sensibility shown Silas Marner social sometimes soul story strong symbol sympathy theme things thought tion Tito Tito's tone tragedy tragic Transome Transome's turn underlined vision voice woman