The Letters of William S. Burroughs 1945-1959

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Pan Macmillan, 1994 - Authors, American - 472 pages
This is the first volume of letters from William Burroughs, covering the years 1945-1959. The letters are entertaining and revealing, placing Burroughs' work in the context of an extraordinary life (J.G. Ballard once commented that Burroughs' life was more extreme than his writing) and Burroughs himself in the context of a decade and a half of momentous cultural change. Burroughs' circle at this time were the prime movers and shakers of the soon-to-be-realized Beat movement including Allen Ginsberg, Jack Kerouac, Neal Cassady and Brion Gysin.

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THE LETTERS OF WILLIAM S. BURROUGHS: 1945-1959

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The MTV generation's idea of an outlaw-writer, Burroughs finds himself a minor/grand old man of sorts—which is why, presumably, this book. These letters were mostly to Allen Ginsberg (whom for a ... Read full review

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Necessary reading for the completist & scholar, but a trifle too involved in the minutiae of Burroughs' life to be of interest to the passing reader. Provides insight into the works in progress of the ... Read full review

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About the author (1994)

From hipster to so-called Godfather of Punk, William Burroughs has lived a controversial life as a leading member of the Beat Generation and a daring writer of psychedelic literary experiments, but, when he reached his seventieth birthday in 1984, it was almost as if he had been overtaken by respectability. Burroughs was born in St. Louis, Missouri, in 1914 as the grandson of the man who invented the adding machine and a descendant of Robert E. Lee of Civil War fame. He attended Harvard University. Later while living a bohemian life in association with such Beat writers as Allen Ginsberg and Jack Kerouac, Burroughs became addicted to morphine and under the pseudonym William Lee published his first novel, Junkie, in 1953 as half of an Ace Double Books paperback. The novel escaped critical notice but may be seen now as the forerunner of his later fiction with its introduction of many of the themes, settings, characters, and amoral postures that became prominent with Naked Lunch (1959) and its successors. Refused by the American publishers to whom Burroughs submitted the manuscript, Naked Lunch first appeared in Paris under the Olympia Press imprint in 1959, the same year that Burroughs was permanently cured of his addiction. Naked Lunch might have remained ignored had not Mary McCarthy and Norman Mailer called attention to the work at the International Writers Conference held in Edinburgh in 1962. Burroughs's raw subject matter and seeming lack of discipline have alienated some of the more academic and genteel literary critics. Naked Lunch was followed by three additional novels about the Nova crime syndicate-The Soft Machine (1961), The Ticket That Exploded (1962), and Nova Express (1964), which make use of overlapping characters and motifs. With The Wild Boys of 1971, Burroughs began to develop a new style more accessible to the general reader. Although Cities of the Red Night (1981) received mixed reviews, it was praised by such Burroughs experts as Jennie Skerl and Robert Burkholder as perhaps the best of his more recent novels. Of The Place of Dead Roads (1983) is true to Burroughs's various obsessions with guns, homosexuality, and the terror produced by people who are addicted to power and control. Today much of the psychedelic effect of Burroughs's fiction appears to be an illusion that masks rather deliberate methods of composition. These include "cut-out" techniques, pastiche, and the deliberate trying-out of styles derived from popular fiction genres to create literary montages that owe as much to fantasy and science as to the surrealism of avant-garde literature.

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