Howl for Now: A Celebration of Allen Ginsberg's Epic Protest PoemSimon Warner Through a series of essays and interviews, this book reflects the power of Howl, a poem penned by a little known poet, Allen Ginsberg, on October 7th 1955. It also includes contributions from David Meltzer, Steven Taylor, Ronald Nameth, Bill Nelson and academics from the University of Leeds in the UK. |
Contents
Sifting the shifting sands མལྷསྔཆེསྦྲ 103 | 25 |
The dramatic imagery of Howl | 53 |
Filming Howl | 73 |
Copyright | |
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Common terms and phrases
Abstract Abstract Expressionism Allen Ginsberg American Andy approach artists bass bass guitar Beat became Bill Nelson Blake body Bop Deluxe celebrated Century Cézanne Cézanne's City Lights clarinet Clock collaborated composer composition contemporary create creative culture Cunliffe David Meltzer decade djembe edited electronic emerging environment experience Exploding Plastic Inevitable Ferlinghetti Fifties film film-maker Fineberg Ginsberg's Howl guitar imagery images improvisation inspired Jack Kerouac jazz John Cage Kienholz literary literature London madness Michael Spencer mind musicians naked nightmares novel painting Penguin percussion performance piano piece played poem Howl poet poetic poetry Pop Art popular music postmodern present published Rauschenberg reader reading Howl recording rhythm Rimbaud rock rock'n'roll Ronald Nameth San Francisco saxophone School screen Season in Hell sense sexual Simon Warner single-screen song sounds techniques theatre theremin trumpet University of Leeds visual arts voice wanted Warhol William Burroughs words writing York