Retaking The Universe: William S. Burroughs in the Age of Globalization

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Davis Schneiderman, Philip Walsh
Pluto Press, May 20, 2004 - Literary Criticism - 312 pages
William S. Burroughs is one of America's most influential and widely studied writers. A leading member of the Beat movement, his books and essays continue to attract a wide readership. His films, paintings, recordings and other projects that grew out of his literary production, together with his iconic persona as a counter-culture (anti-)hero, mean his work has become a broad cultural phenomenon. This collection of essays by leading scholars offers an interdisciplinary consideration of Burroughs's art. It links his lived experience to his many major prose works written from 1953 on, as well his sound, cinema and media projects. Moving beyond the merely literary, the contributors argue for the continuing social and political relevance of Burroughs's work for the emerging global order. Themes include: Burroughs and contemporary theory; debates on 'reality'; violence; magic and mysticism ; cybernetic cultures; language and technology; control and transformation; transgression and addiction; the limits of prose; image politics and the avant-garde.

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Contents

Millions of People Reading the Same Words
1
Theoretical Depositions
7
William S Burroughs
13
Copyright

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About the author (2004)

Davis Schneiderman is Chair of the American Studies Program and an Assistant Professor of English at Lake Forest College, Illinois. He is currently engaged in research on Burroughs's connections to literary plagiarism and issues of digital copyright. Philip Walsh is Assistant Professor in the Department of Sociology/Anthropology at the State University of New York, College at Cortland. He is author of Skepticism, Modernity and Critical Theory.

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