Gothic to Multicultural: Idioms of Imagining in American Literary Fiction

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Rodopi, 2009 - Fiction - 543 pages
"Gothic to Multicultural: Idioms of Imagining in American Literary Fiction," twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper s "The Spy," Antarctica as world-genesis in Poe s "The Narrative of Arthur Gordon Pym," the link of The Custom House and main text in Hawthorne s The Scarlet Letter, reflexive codings in Melville s "Moby-Dick" and "The Confidence-Man," Henry James "Hawthorne" as self-mirroring biography, and Stephen Crane s working of his Civil War episode in "The Red Badge of Courage." Two composite lineages address apocalypse in African American fiction and landscape in women s authorship from Sarah Orne Jewett to Leslie Marmon Silko. There follow culture and anarchy in Henry James "The Princess Casamassima," text-into-film in Edith Wharton s "The Age of Innocence," modernist stylings in Fitzgerald, Faulkner and Hemingway, and roman noir in Cornell Woolrich. The collection then turns to the limitations of protest categorization for Richard Wright and Chester Himes, autofiction in J.D. Salinger s "The Catcher in the Rye," and the novel of ideas in Robert Penn Warren s late fiction. Three closing essays take up multicultural genealogy, Harlem, then the Black South, in African American fiction, and the reclamation of voice in Native American fiction. A. Robert Lee is Professor of American Literature at Nihon University, Tokyo, having previously taught at the University of Kent, UK. His publications include "Designs of Blackness: Mappings in the Literature and Culture of Afro-America" (1998), "Multicultural American Fiction: Comparative Black, Native, Latino/a and Asian American Fictions" (2003), which won the American Book Award for 2004, "Japan Textures: Sight and Word," with Mark Gresham (2007), and "United States: Re-viewing Multicultural American Literature" (2008).
 

Contents

Acknowledgements
9
Pathways Bearings
11
Gothic and the Case of Charles Brockden Brown
23
Coopers The Spy
45
Poes The Narrative of Arthur Gordon Pym of Nantucket
61
Hawthornes The CustomHouse and The Scarlet Letter
83
Henry James Hawthorne
103
6 MobyDick as Anatomy
119
Imagining The Great Gatsby
259
Seeing For Whom the Bell Tolls Whole
279
A Yoknapatawpha Trilogy
299
The Fiction of Cornell Woolrich
317
17 Richard Wrights Inside Narratives
335
The Novels of Chester Himes
361
Holden Caulfield Author
389
The Late Fiction of Robert Penn Warren
407

Ventriloquy in The ConfidenceMan
141
The Novella as Moving Box
159
Apocalypse in the Early and Modern African American Novel
177
10 Womans Place? The Landscapes of Jewett Chopin Cather Hurson Welty Chavez Yamashita Silko
197
11 Odd Man Out? Henry James the Canon and The Princess Casamissima
223
Martin Scorseses The Age of Innocence Edith Whartons The Age of Innocence
243
Fictions of a Black Metropolis
427
Mapping the South in Contemporary African American Fiction
457
I Am An Indian with a Pen Fictions of the Indian Native Fictions
481
Index
525
Copyright

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About the author (2009)

A. Robert Lee is Professor of American Literature at Nihon University, Tokyo, having previously taught at the University of Kent, UK. His publications include Designs of Blackness: Mappings in the Literature and Culture of Afro-America (1998), Multicultural American Literature: Comparative Black, Native, Latino/a and Asian American Fictions (2003), which won the American Book Award for 2004, Japan Textures: Sight and Word, with Mark Gresham (2007), and United States: Re-viewing Multicultural American Literature (2008).